
Snyder, the museum’s director of 23 years, resigned weeks later, citing reasons unrelated to Leonardo’s exhibition. Many members of the art world rallied around Leonardo in support. In response, the museum’s director, Jill Snyder, released a statement of apology to the artist it was subsequently updated to include more detailed information about the decision, at Leonardo’s urging.

“What has become evident to me is that after grave mishandling of communication regarding the exhibition, institutional white fragility led to an act of censorship.” “I must make it clear that I was never given the opportunity to be included in outreach, and therefore, never had a moment to engage any community member regarding the show,” he wrote. On the intended opening day of the exhibition, June 6, Leonardo - who identifies as Afro-Latinx - wrote an open letter about the cancellation, denouncing the decision as censorship. The institution cited a “troubling community response” that brought them to decide “we were not prepared to engage with the lived experiences of pain and trauma that the work evokes,” according to the New York Times. But just months ahead of its opening, the museum canceled it. Hosted by the Museum of Contemporary Art Cleveland (moCa), the show was going to center illustrated scenes of police brutality, featuring images in which the body of the victim is rendered as a blank void. The Breath of Empty Space, a solo show of work by artist Shaun Leonardo, would have featured a charcoal drawing depicting Tamir’s final moments. A now-canceled exhibition planned for her home city particularly disconcerted her. (She filed for a trademark of her son’s name on February 19, 2016, with the United States Patent and Trademark Office to avoid its misuse.) She shared her distress at artists utilizing her son’s image without her approval, saying that unsanctioned use of her son’s image has had a profound impact on her family. One hundred percent of Museum staff are vaccinated.A celebration in honor of Tamir Rice’s 18th birthday (photo by Manny Wallace and courtesy Samaria Rice)īut recently, she has denounced a number of artistic projects that she believes improperly interpret her son’s legacy and contribute to the ongoing pain of her and her family. The Museum is following proper CDC protocols in monitoring the health of employees and encouraging guests to be on the lookout for symptoms in order to prevent spreading the virus. The Museum’s highest priority is the health and safety of our guests, staff, and volunteers. Images or video of the Museum may not be published in any format without prior consent.
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Professional photographers are required to obtain a photographic release. No photography for commercial use without prior permissionĪll traveling exhibits are subject to photographic and video restrictions No flash photography.Īll cameras and video cameras must be hand held no extra lighting or tripod set-up The general public is welcome to take photographs of any permanent exhibit. We accept Visa, MasterCard, American Express, Discover, cash, traveler’s checks, and in-state personal checks with photo ID. Ask us about special-needs or alternative-language tours. To arrange a group tour, call 216.231.4600 x3705 or em ail.

Docent-led tours are available for an additional charge of $25 for up to 12 guests, and must be booked at least two weeks prior to the group visit. Group rates are available for parties of 12 or more. Parking is provided on a first-come, first-served basis and is intended for use by Museum visitors. Museum members receive a $6 flat-rate parking rate at all times. General parking is $10 for the first two and a half hours, +$1 for each additional half hour, up to the daily maximum of $16. Special-event rates vary.

The Museum's parking garage is located on the corner of Wade Oval Drive and East Boulevard.
